Phase III – Stealth Is.

A hiker from New Zealand has reported that he was kidnapped by a family of Yeti’s.
Paul Collinson, aged 47 and residing in New Zealand had the shock of his life when hiking in the Himalayan Mountain Range in Nepal.

Collinson even said he was given a small hollowed branch filled with wild berries. “It was like desert”, Collinson said. “I ate these berries and sat wondering if I could open up some form of dialogue with the Yetis.”

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A pilot from New Zealand is in Nepal to return a replica of what some believe is the hand of a yeti to a remote monastery in the Everest region. Mike Allsop will fly from Kathmandu to Pangboche Monastery, which sits at 13,123ft.

Mr Byrne managed to take one of the bones from the hand out of Nepal to his friend, the Hollywood actor James Stewart, who was on holiday at the time with his wife in Calcutta. James Stewart’s wife then placed the bone in her lingerie box and smuggled it into England where it was examined by a professor at Oxford University who said he could not conclusively say what kind of bone it was.

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“I CLAIM THE WORLD!” is the title of a thirty-nine volume history of Man from the Global Deluge through the modern age. It tells of the Protong, the original language of Man, and the source of universal symbols that we all speak through. It tells of the Yetinsyny, the Sons of Yeti, who have brought Man to a degraded state from their ancient nobility, who fiercely resent Men and lust for Women, but who may be redeemed by their study of Art and Science. It tells how we came from Rapa Nui (Easter Island), and how Man and the Yetinsyny have spread across the world. It is the story of Zermatism, and it was authored by the great Polish artist Stanislav Szukalski.

Zermatism was not crafted as a story to accompany Stanislav Szukalski’s copious illustration, painting and sculpture, and Szukalski did not intend for his work to be treated as a grand fiction. Zermatism is a universal science, attempting to show the interrelated nature of all arts and histories, linking all human culture to a common source. The fact that this science points to inbreeding between humans and Yeti as a source of social conflict, or speculates that heat causes gravity, or that the Zermatic Protong is essentially Polish, may surely seem to make the work preposterous, but, as ever, it may not be entirely without value, even as a mad science.

…

To call Stanislav Szukalski an art prodigy could be considered an understatement: at the age of six, he whittled a near-perfect figure from a pencil, a feat that attracted the attention of local media. Soon after, despite his young age, he applied and was accepted to the Fine Arts Academy in Krakow. As a prize student, he would win several awards for his art; as a rebellious youth, he was briefly expelled for questioning his professors.”

The Kook Science Resistance further explains to us how yr mom may have banged a Yeti:

“Today, you might be hard-pressed to recognise the a-human Yetinsyny among us, but, according to Zermatic theory, they have frequently positioned themselves as our cruelest leaders, be they the ancient emperors and tyrants, the medieval conquerors and kings, the Nazis, the Bolsheviks. It seems that where ever the children of the Yeti find themselves able to take the reins of power from Man, violence and imperial ambition follow.

For Szukalski, a highly visual thinker, it was readily apparent which physical characteristics would reveal a Yetinsyny: long upper lips; sharply angled, undercut noses; a certain squatness or roundness in physique; a short apeoid tail. And, always accompanying these physical quirks, are the inescapable mental characteristics: unforgiving hatred of man, owing partly to rejection on the basis of their biology; an inborn need to dominate and possess; an almost uniform inclination to Communism; a desire to cause violence and provoke terror.

However, despite the horrors that seem to follow them, there is hope for the Yetinsyny, as there is hope for all, that the burden of biology can be overcome. In his 1979 essay, “Anthropolitical Motivations”, Szukalski argues that “instead of ostracizing every Yetinsyny in every country, that they may not concoct from one of their political philosophers, Karl Marx, Mao tse Tung, Nietzsche, Bakunin, Kropotkin, or other haters of humanity, encourage them to partake in the arts: creative Art, applied arts, literature, in medicine and all forms of engineering. [...] Why then will they excel in the above branches of creative contribution? Because, as frightfully inferiority-obsessed males and females who NEVER get beautiful human women and men into their beds, they persistently dream of the IMPOSSIBLE. To endure their mental hardships they develop extraordinary patience and such perfect IMAGINATION that almost anything they dream of, they are capable of contriving. Thus, patience and imagination, together with their ANIMAL vitality, make them capable to contribute miracles of inventions in every sphere of interest. They are the nibelungs, the little pixies, the fairies of the legends of every country.””

…

Unlike Szukalski, the Dobbsians assert that the lineage of the Yetinsyny are the true geniuses of the human world, and that being a son of Yeti brings with it great power, or “slack”. They find no fault in the ancient Yeti, and, instead, argue the Yeti were superior to early humans— a point speculated on, albeit briefly, by Szukalski himself in his studies of the physical form of the North American Bigfoot.

The fact that the Dobbsians are presently the ones carrying the torch of Zermatic theory forward may give any scientific mind cause for pause, especially in light of the fact that their hardline, fundamentalist theological positions are utterly contrary to the methods of true Science. Indeed, it must be said that in order for Zermatism to find real grounding, it must be preserved against the intrusions of the fringe religious, and brought firmly back to the domain of scientific inquiry.”

Read the full article at K.S.R. and be ashamed of your Yeti heritage.

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