[I have read about the same thing happening to Lt. Col. Tom Bearden in his research with ‘scalar interferometry’, i.e. aiming two different torsion-field generators at the same spot so the waves collide and ‘interfere’ there. When he saw this jet-black aperture form — like a vertically elongated oval — he apparently became quite terrified and turned it off, never wanting to mess with it again — as he did not know what might come through. Do not try this at home!]
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8.9.1 SCIENTIFIC ANALYSIS OF TIBETAN ACOUSTIC LEVITATION
For those who are interested, an article by Dan Davidson helps us to put this amazing event into scientific terms. If the technical numbers and terms bother you, then simply skip past this excerpt and keep on reading, as it will not detract from your overall understanding of the concepts.
Monks with 19 musical instruments, consisting of 13 drums and five trumpets, were arranged in an arc of 90 degrees in front of the stone block. The instruments had the following measurements:
* 8 drums were 1 meter diameter x 1.5 meters deep x 3mm sheet iron and weighed 150 kg.
* 4 drums were 0.7 meter diameter x 1 meter deep
* 1 drum was 0.2 meter diameter x 0.3 meter deep
* All trumpets were 3.12 meters x 0.3 meters…
Calculations reveal that the volume of the large drums are similar to the stone block volume. The medium drums are one third the volume of the large drum and the small drum is a 41st of the medium drum and 125th of the large drum. The exact volume of the large stone is not available; however, the harmonic relations of the drums implies it is about 1.5 cubic meters.
Another interesting aspect of this levitation demonstration is the small amount of power necessary to perform the levitation. The loudest tolerable sound pressure that a person can stand is approximately 280 dynes/cm2. From physics analysis this translates to about 0.000094 watts/cm2.
If we assume that each monk with his instrument produced one half this much sound energy (which is highly unlikely) and we make the further gross assumption that this is the amount if power that reaches the stone (actually sound dissipates rapidly over distance), we would have about 0.04 watts (i.e., (19 instruments + 19 × 4 monks) x 0.000094) hitting the huge stone block.
This is an astoundingly small amount of energy actually hitting the 1.5 cubic meter stone to produce the effect.
To lift the stone 250 meters takes a prodigious amount of energy. Rocks such as granite and limestone have weights in the neighborhood of 150 – 175 pounds per cubic foot.
If we assume a nominal value of 160 pounds per cubic foot then the 1.5 cubic meter stones weighed around 8475 pounds (i.e., over 4 tons!!!). To lift the 8475 pounds 250 meters would require about 7 million ft-pounds of work (i.e., 8475 pounds X 250 meters / 0.30408 meters/foot = 6,968,035).
Since this was done over a 3 minute period then about 70 horsepower was produced (i.e., 7 × 106 foot-pounds / 180 seconds / 550 horsepower/foot-pound/second = 70.384). This is equivalent to 52 kilowatts (i.e., 70.384 X 0.74570 kilowatts/horsepower = 52.5). The over unity power factor we obtain is 5,250,000 over unity (i.e., 52,500 watts/0.01 watts).
The monks were obviously tapping into a huge amount of free energy to levitate the huge stone blocks, or gravity requires little power to affect its operation once the principles are understood.
What Davidson missed in this analysis is that the “levity” force is already nearly as strong as the “gravity” force, so it isn’t as hard to shift them as one might otherwise think.
Thanks Chris!
