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Viktor Schauberger’s Biological Submarine
by Albert Zock

The biological submarine once had the attention of the German War Lords, but Viktor Schauberger made it look as though it were not very useful, as in his opinion, biotechnology is for supporting progress and not for destruction. This submarine idea was taken from the observation of fish, especially of trout, which can stand motionless in a flowing stream, just by taking water in and out. This process has two functions, first it creates a vacuum in front of the mouth into which the fish gets sucked, and at the same time provides food, as the water contains all that the fish needs. While the food goes into the digestive system, the water is forced through the fan-like structure of the gills, which not only absorb the oxygen needed,but also push the water backwards. This specially compressed water does not mingle right away with the rest, it glides along the conical body like a wedge and shoves it forward. In addition, on the scales it forms little whirls which enhance the push further.

However, Viktor Schauberger was not the sole observer of this phenomenon. Before him others not only formed the same idea but even constructed prototypes with some results. One inventor, A. Bomer, came to the conclusion that the speedy motion of a fish is relative to the size of its gills. He constructed a boat with a precise opening in its bow, where a turbine sucked in water like a fish, and pushed it out through slit-like exit ports in such a way that it glided along the hull like a sheet, not only separating it from the friction of the outside water, but also giving it an additional push forward. Further, he applied such skin depressions like sharks have on his ship’s hull, presuming that they cause small swirls, and so increased the forward motion. Bomer even incorporated the slippery skin layer that fishes have by applying oil to the hull to reduce friction. He hoped all this would bring a 60-80% reduction in fuel. Indeed, experiments with his boat FORELLE, meaning ‘trout’, achieved twice the speed, while still using the same amount of fuel.

Apparently, Bomer did not know the spiral-vortex, which is an invention of Viktor Schauberger. If property applied, it will not only increase speed, but also reduce fuel consumption to a minimum!

This drawing by Dipl. Ing. Water Schauberger, Viktor’s son, shows such a submarine. His bio-technical submarine has a movable bow, which gives the boat the flexibility fish have. The conical and rifled water-intake permits a variable step-up, creating a strong torque on the water, which, after entering the implosion turbine, will be intensified to such a pitch, that now its recoil (resonance) is driving it instead of the motor, as bio-technical applications always have a pull and push action. Such a turbine consist of tapered-down pipes with inside rifling which are bent into spirals. Such FREE ENERGY is not a question of time, rather the will to use it, as it already exists, giving us a chance to move on water, under it and in the air using only a fraction of the energy we use today!

Borderland Sciences for more Kook fun.

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Dr. Thomas Brown was brought in, having seen similar effects in his own research — dark openings and anomalous behaviors of physical matter under those conditions.

[I have read about the same thing happening to Lt. Col. Tom Bearden in his research with ‘scalar interferometry’, i.e. aiming two different torsion-field generators at the same spot so the waves collide and ‘interfere’ there. When he saw this jet-black aperture form — like a vertically elongated oval — he apparently became quite terrified and turned it off, never wanting to mess with it again — as he did not know what might come through. Do not try this at home!]

….

8.9.1 SCIENTIFIC ANALYSIS OF TIBETAN ACOUSTIC LEVITATION

For those who are interested, an article by Dan Davidson helps us to put this amazing event into scientific terms. If the technical numbers and terms bother you, then simply skip past this excerpt and keep on reading, as it will not detract from your overall understanding of the concepts.

Monks with 19 musical instruments, consisting of 13 drums and five trumpets, were arranged in an arc of 90 degrees in front of the stone block. The instruments had the following measurements:

* 8 drums were 1 meter diameter x 1.5 meters deep x 3mm sheet iron and weighed 150 kg.
* 4 drums were 0.7 meter diameter x 1 meter deep
* 1 drum was 0.2 meter diameter x 0.3 meter deep
* All trumpets were 3.12 meters x 0.3 meters…

Calculations reveal that the volume of the large drums are similar to the stone block volume. The medium drums are one third the volume of the large drum and the small drum is a 41st of the medium drum and 125th of the large drum. The exact volume of the large stone is not available; however, the harmonic relations of the drums implies it is about 1.5 cubic meters.

Another interesting aspect of this levitation demonstration is the small amount of power necessary to perform the levitation. The loudest tolerable sound pressure that a person can stand is approximately 280 dynes/cm2. From physics analysis this translates to about 0.000094 watts/cm2.

If we assume that each monk with his instrument produced one half this much sound energy (which is highly unlikely) and we make the further gross assumption that this is the amount if power that reaches the stone (actually sound dissipates rapidly over distance), we would have about 0.04 watts (i.e., (19 instruments + 19 × 4 monks) x 0.000094) hitting the huge stone block.

This is an astoundingly small amount of energy actually hitting the 1.5 cubic meter stone to produce the effect.

To lift the stone 250 meters takes a prodigious amount of energy. Rocks such as granite and limestone have weights in the neighborhood of 150 - 175 pounds per cubic foot.

If we assume a nominal value of 160 pounds per cubic foot then the 1.5 cubic meter stones weighed around 8475 pounds (i.e., over 4 tons!!!). To lift the 8475 pounds 250 meters would require about 7 million ft-pounds of work (i.e., 8475 pounds X 250 meters / 0.30408 meters/foot = 6,968,035).

Since this was done over a 3 minute period then about 70 horsepower was produced (i.e., 7 × 106 foot-pounds / 180 seconds / 550 horsepower/foot-pound/second = 70.384). This is equivalent to 52 kilowatts (i.e., 70.384 X 0.74570 kilowatts/horsepower = 52.5). The over unity power factor we obtain is 5,250,000 over unity (i.e., 52,500 watts/0.01 watts).

The monks were obviously tapping into a huge amount of free energy to levitate the huge stone blocks, or gravity requires little power to affect its operation once the principles are understood.

What Davidson missed in this analysis is that the “levity” force is already nearly as strong as the “gravity” force, so it isn’t as hard to shift them as one might otherwise think.

Thanks Chris!

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By Wes Unruh
(Note: This is the Appendix for He and Edward Wilson’s ‘Art of Memetics’ book)

Studying occult arts is dangerous only to those who have a vested interest in seeing you remain the same. There isn’t any such thing as supernatural - all things that occur happen within the realm of the natural. So the occultist’s task is puzzling out the secret knots by which this reality is bound - understanding both the mechanics of reality and the mechanism by which mind, unfettered, can untie these secret knots or bind up new ones.

The adaption of satanic imagery to magic is a relatively christian phenomena - but the supplication of a parishoner to a saintly or divine force is just as magical. Transubstantiation is socially acceptable cannibalistic theater and this kind of theophagy occurs in many different traditions. This is quite possibly the real reason that our culture has produced vampire and zombie archetypes, the symbolism of the blood of Christ has cast a shadow. Any ritual theater gives its shadow equal power, so these doctrines writ large on a society produce a corresponding harmonic negative manifestations can utilize.

I believe the soul you possess is determined by the path you walk, and to alter your course requires that you sacrifice who you are to who you can become, or it requires you to subsume yourself to some greater archetypal force and act as its avatar in the phenomenal world. The pragmatic approach is to engage with experience, then apply experience to signifying intent. If it can be used, then it can be understood. Knowledge, information, is a new ordering, or a reformation, of ignorance. Ignorance can be thought of as a formless void, a place of not-as-of-yet. When knowledge takes up space inside, the ignorance is re-arranged to be meaningful.

This formation is a physical reality, and takes place within the protein strands that make up the cell walls of neurological tissue. Cab drivers in London have been shown to manifest larger sections of their brain because they have to memorize such an impressive array of bewildering and contradictory information, then navigate through it. That which is known never becomes unknown, but it can become inaccessible. The brain being what it is, a crucifixtion of matter and energy upon which consciousness writhes, it can move along axis in time that are un or pre-physical. But how do you get there, and what do you do there once you’re there? Kundalini yoga promises to make the bio-energy field of a mortal some kind of super-conductor, and the easiest way to understand any of this is to look at Alex Gray’s Sacred Mirrors.

There are assumptions we make based on our previous experience, one of which is that 2+2 always equals 4. Another is that 2+2 immediately equals 4. A friend of mine (with a mental clarity I myself lack) pointed out that 2+2 is only 2 2’s until they’ve been rectified to 4 (or 10, or 11) through the passage of time. But 2+2 is equalling 4 on paper, and continues to do so over and over after it is written, wherever it is written, for each and every incident in which 2+2=4 is signified. Thus, the period, or time blip of 2+2 equalling 4, is happening in a concurrent abstract imaginal time which shadows our time stream, much in the way the electronic reality of telephones, telepresence, and the juggernaut meant by thee “world wide web” parallels our own malkuthian physicality. If this shadow time exists, and it is the place where math occurs, then it must also be the arena of bind runes and logograms. It is the sphere of logos, the eighth sphere of the ancient’s heaven.

Another friend of mine would argue that 2+2=4 (or 10, or 11) happens instantaneously, that a numberline is essentially one-dimensional space, and only in the most arcane religious sense could one expect some underlying parallel reality to exist where numbers play with each other. As a materialist, he’s convinced that if something occurs, it is in no way related to some abstract world of forms riding concurrent to our malkuthian realm, but instead comes about through some primary purpose, along with a host of secondary agents all quantifiable by physical measurings. 2+2 equals 4 because 2+2 always is 4, there is no prior point to 4 during which 2+2 is in the action of becoming 4.

To begin, time moves in periods. A period is a “place” of occurence. The period is what is initiated in a ritual setting, for the ceremonially minded. From opening to banishment is one period of time. It can help to understand ‘where’ imaginal time occurs before we progress, which brings us to the concept of the perfect world of forms - the idea being that there’s only One of any one group of like things, and that it isn’t there in the mundane world, only in the abstraction thought of when we reference a specific noun in conversation. This perfect form existed in Mind alone, where Mind is the perfect mind of all those thinking about that perfect form.

Imaginal time, or ’shadow time’ as some writers have referenced, occurs in this perfect world of forms. It is through operations in imaginal time that new One things are created, other One things are comprehended, and even more important, some One things are cut away. Everyone has their own private time, their own private symbolic garden in which these One things are clustered, and careful preoccupations can direct the inner gardener to the imagos which to water, which to cut apart. But to engage in magic is to find the collective source from which mankind culls meaning, and directly applying sigilic techniques to the energy of the as-yet-unmanifest. Using certain substances has the effect of placing any random individual, prepared or not, into a place where they are effective magicians until that particular state of consciousness fades. However these states of consciousness are accessible through a number of techniques, and often what we think of as magical texts are instructions in achieving these states of consciousness through different methods.

There are demons who have become so through renaming of gods… thus Astarte becomes Ashtoreth, boshet (or shame) bestowed upon her by magicians (priests, not evil ones but levi ones) and the same happened to Baal become Beelzebub by adding zebub (or flies) to his name. Essentially, they dipped into the imaginal bubble where Baal meant lord, and garbled the code to make Baal unworshipful. Yeah, I know I’m playing with semantic fire here, but the cultural effect is now that by calling upon Ashtoreth you are communing with a decadent godform, a godform mutilated by opposing forces. You’d be better off trying to commune with Astarte - only she’s mostly gone, all her energies subsumed by Ashtoreth in the collective unconsciousness.

(click below to read the rest)

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VITRIOL: I’ve never done a qlippothic working, and i know next to nothing about qlippoth, so i had some questions after listening to the podcast. d’ya mind?

Ikipr: for sure, go for it I’ll do my best and attempt to refer you to text where I lack answers

VITRIOL: i really just want some general information. first and foremost, what are practical applications of qlippothic work?

Ikipr: they have functions which can be useful to acquire once you’ve mastered their microcosmic reflection, for instance the breaker in pieces whom I reference is key to me, chopping and cutting things up both in sound and vision, breaking molecular structures for rearrangement seems to be on his mind, this is a mirror for what he does to star systems as well, likewise the inverted netzach serves the purposes of banishment through detachment, etc…it’s kind of sephira specific in the underworld too, but there is application to be gained after work being done, even if the work is only battling off the madness it inspires - it’s almost cthulhu like in that sense and hence it’s questionable how deep into the cthonic qabbalah you wanna go, hence an inverted godhead may not be a good place to stay unless you’re trying to induce schizophrenia - however momentum in the underworld can be cast back in the opposite direction to fuel other pathworking once complete

VITRIOL: so basically what you’re saying is that the decomposition of the residual sephirotic vibrations can be put to further work within the sephiroth, like a spiral orbit through the upright tree, down into the inverted tree and back up into the upright tree?

Ikipr: the inverted godhead is the two contending forces, the opposite of a singular kether, of course often times the great work references reconciling duality, hence reconciling the two contending forces with themselves is a sorta completion of an alchemical process, also a vertical reconcilation of the godhead with the two contending forces has always reminded me Frater Achad’s Malkuth=Kether taken a step further - it’s like the pendulum’s swing, going down will take you an equal degree upwards mayhaps the energy we manage to transmute with our magickal weapon of the lamp in the darkest parts of the underworld also strengthen the corresponding upright sephira.

Reccomended Reading:

nightside of eden (kenneth grant):

The Sorcerer and His Apprentice - 3rd chptr:

Dion Fortune’s Mystical Qabbalah - has a chapter addressing it

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Article Submitted to Phase II By James Conohan - We Welcome Submission and contributions - post a comment in the contributors page if you’re interested with your E-mail and a quick summary of your proposal if interested.

How to Create Your Own Rituals, Adapt or Modify Any Type of Procedure and Other Useful Things
by James Conohan

Bored with tedious sigils? Anything can be a focus; one of my all time favorite memes, simple and one hundred percent true. This essay will show you how to design your own occult rituals/procedures, allow you to work magic instinctively and modify traditions and rituals. If you have any doubts remember that most - more likely all - magical traditions were invented by humans; therefore there’s no reason why you can’t create your own procedures.

1. Design a ritual, this can be anything you want; a gesture, music, a talisman, a word, a dance etc.; you’re only limited by your imagination.

2. Declare that doing the ritual during an altered state of consciousness (a.k.a. gnosis) will fulfill your will. The declaration can be written on paper, typed on a computer or spoken out loud.

For example let’s say you wanted to heal someone:

“I declare that doing (insert ritual here) during an altered state of consciousness or also known gnosis will heal (insert name here).”

Or:

“I declare that doing (insert ritual here) during an altered state of consciousness will make me remote view Anchorage, my will be done.”

*Note: this is only how I write my declarations; word them in a way that feels right to you.

3. Do the ritual during an altered state of consciousness.

4. Banish.

Example:

Dave wants to create a ritual designed to make him enter the dreams of his friend, instead of using a physical tool he decides that concentration will be enough, Dave declares that focusing on his intent to enter his buddy’s dreams during an altered state of consciousness will fulfill that goal. After that Dave concentrates on his goal and enters trance through pain (pricking himself with a needle).

Correspondences:

In this method correspondences are used for than divination; they can be employed to flesh out a ritual, add in details or make a procedure more flexible. You can create correspondence systems centered around anything; colors, body positions, symbols of your own design, corporate logos, stones, bits of machinery etc.

Of course standard correspondences won’t always be of use when you want something specific; you can use anything to symbolize a person, place etc. If you want to heal someone their initials or a sigilized version of their will work fine. The correspondence could also be something more solid; a piece of the person’s shirt, a button, hair etc.

For example here’s a correspondence system that employs keyboard symbols:

$ = Wealth

? = Mystery and the unknown

# = Information

etc.
Example:

Let’s say you want to create a healing ritual, you’ve decided to make and use an talisman, but you don’t want to create a new talisman every time you want to heal someone else, so you use the approach below:

“I declare that touching this talisman during an altered state of consciousness or also known as gnosis will heal whoever the correspondence item or items represent.”

In other words the only things you change are the correspondence items, everything else remains the same.

Preparatory sub-rituals:

These procedures serve to psychologically cement and strengthen your intent; they are not done during altered states.

1. Design a ritual.
2. Declare that doing the ritual will strengthen the actual ritual. Banishing should be done once the real procedure is completed.

Example:

Sean has decided to create a procedure, his sub-ritual consists of dancing around in his correspondence circle - Sean has used the Ogham alphabet and corporate logos for correspondences - and his actual ritual consists of saying a word during trance. After making his declarations Sean performs the prep procedure and then enters trance though shock, says the word and banishes.

Adapting existing rituals and traditions:

Custom procedures are fine and convenient (no need to flip through a book or a sigilize) however what about the rich amount of traditions and rituals out there? After all it’s a bit ignorant to focus only on your own system seeing as you’d be missing out on so much. This method can also be used to tweak and adapt existing rituals and traditions.

Example:

John wants to adapt this ritual from Pow-wows or Long Lost Friend by John George Hoffman:

“FOR GAINING A LAWFUL SUIT.

If anyone has to settle any just claim by way of a law suit let him take some of the largest kind of sage and write the name of the twelve apostles on the leaves, and put them in his shoes before entering the courthouse, and he shall certainly gain the suit.”

Since John works with the Irish pantheon and not Xtianity he decides to substitute the names of 12 gods for the apostles and John decides to use leaves he found while drifting instead of sage. He puts the leaves in his shoes and declares that having those leaves in his shoes during an altered state of consciousness will magically manipulate probability so that he will win his lawsuit, he also states that writing the names of the gods will serve a preparatory invocation that will strengthen the ritual. After the declaration John lies down and enters trance through breathing.

But what about a ritual that’s too long to do during trance? The solution is to break it down, declare that doing the steps prior to the final action will serve as preparatory sub-rituals.

Example:

Susan wants to adapt this chant from the James Mooney book Sacred Formulas of the Cherokee:

“Tsïgë’! Hïkayû’nl-Une’ga, tsûltâ’histû’n gûlitâ’hïstani’ga. Nâ’gwa tsûda’ntâ talehï’sani’ga.
Sâ’gwa igûnsi’ya ts?skwâlï’ udû’nisate’stï, ts?su’ltï nige’sûnna. Wane’(ï) tigi’gage(ï)
tali’kanëli’ga. U’ntalï udanû’hï tsägista’`tï.
Hïkayû’nl-Une’ga, anu’ya uwâtatâ’gï agi’stï tätsiskâ’ltane’lûhï. U’ntalï u’danû’
te’tûlskew?si’ga.
Hïkayû’nl-Une’ga, nûnnâ’(hï) kana’tï skwatetâ’stani’ga. Unigwalû’ngï te’gatûntsi’ga.
Nûnnâ’(hï) kana’tï tati’kiyû’ngwita’watise’stï. Unigwalû’ngï tigû’nwatû’tsanû’hï.
Hïkayû’nl-Une’ga, Kana’tï, sk?salatâ’titege’stï, sa`ka’ni ginu’t?tï nige’sûnna. Sgë!”

This chant is a ritual designed for hunting birds (improving the odds of finding game and so forth) Susan has decided to say it Cherokee for the sake of authenticity; but she has neglected to dress up like a medicine woman seeing as she’d like pretty foolish since she’s white. First Susan declares that saying any part of the chant during an altered state of consciousness will magically manipulate probability so that she will successfully shoot a bird on her hunting trip. Susan also declares that saying any part of the chant prior to final words (when she’s not in a trance) will strengthen the ritual.

But what about applying this technique to practices like evocation?

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Nazi Supermen Angels = LULZ!!

The Schuelers are trapped in a world of masturbatory enochian fantasy - I mean seriously, WTF is Enochian Physics or Enochian Yoga? Kiss my Ass - I’m not buying it’s legitimacy. Their covers also look like they depict nazi supermen chimera at times too. Here’s two reviews of their works from Amazon which caught our eye after setting off our Lulz meter:

“Gerald Schueler has made his own enockian system wich has completely destryed my life. These rituals are extremely powerfull and dangerous. I suffer from cronic schizophrenia due to enockian rituals. These beings want nothing but to destroy humanity…..Once you go up in the higher spheres, there’s no going down..In this book Schueler portrays his pathwork to the abyss of the univerce and the end of humanity. This material is made to kill innocent people. Mary” Here - ok so you’re fucking crazy now because of it but it’s still worth two out of five stars?

“Greetings,

I have had personal experience and contact with Merlinus Sortiarius, who is thanked by Dr. Schueler for his “enochian material”, and Dr. Schueler now refers all students to Merlinus. The truth is these books contain “blinds” and “omissions” to keep the “truth” from the profane, the truth about enochian magic(k). I know because Merlinus sent me a package containing the true enochian alphabet and material to correct the elemental tablets and “blinds” and omissions in this text. He also spoke to me over the telephone in enochian, and commanded a spirit to me, saying “Say Hello To Your New Friend”… this spirit later made me very sick, as I struggled to perform my daily Lesser Banishing Ritual of the Pentagram, before leaving that day to see an excellent tarot reader and witch named “Darla” who is a great seer. She told me I had an entity with me, before I told her the story about Merlinus. She told me that Merlinus was part of an ancient and powerful group, using ancient techniques and methods to “pull me in”. He sent the spirit to “protect me” even from her, as “it” knew she would expose the group behind Merlinus, and what was occuring. Two years later, after gaining the courage to call Merlinus back, and total chaos, and magickal battles, I confirmed that yes, all that Darla had told me was true… they are an ancient and powerful order, and a group. I was then told that I would have to come to them to perform my first “angelic” evocation. Darla told warned me that in her visions, if I went, I would be sacrificed along with others during ritual. Truth? I do not know. I can only tell you it’s a fools game to pursue this particular path, in my opinion, and I feel lucky to be free of any oaths, further deceptions, etc. Powerful magic? Indeed…the most powerful on the planet. I suspect that the Kaballistic or Hebrew letters & energy is much different from Enochian letters and “entities”.

Beware & Be Wise. Don’t waste your time on puzzles that you cannot get the whole peices for… or work in self delusion on a system that is less than complete without a “master”. There are “secrets” in this world you may not learn until it’s too late. The F.B.I. does NOT keep statistics of missing children… master witch Dr. Evelyn Paglini of Mystical Blend and former F.B.I. Chief Ted Gunderson can elaborate as to why.

There is a reason for this… beware, rare among you will be one so serious and experienced to learn this… I did so at a great cost, and in initial nievety. I learned the missing peices from The Forbidden Knowledge site, and from experience, much research, and dedication, and protection from the Creator himself, via Yeshua. My study of Franz Bardon saved me from being totally ensnared.

Good luck, and beware.” Here - ummm…You were gonna be sacrificed by an evil ancient order, eh dude? sure…and reading through the Schueler’s works you really get a sense they have the hook up on such direct lines of knowledge too that’s why it can appear that they’re, oh say, pulling this stuff outta their arse so very often, yah?

I like the one where Benjamin Rowe owned up on their illogic but it lacks lulz.

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Liber Tek: A Grimoire for the electronic-age or a view of Post-Modern Digital Utopias

Brainwave entrancement and lighting effects

Brainwave Entrancement was made famous by Robert Monroe and his Monroe Institute’s production of binaural beats. Binaural beats are constructed by a method of attempting to cause brainwaves to entrance and sync up to external stimuli. This problem with approaching this though is that the brain operates between 0-40hz which falls in an inaudible range of sound. Binaural beats attempts to work around this by playing two seperate waveforms in each ear VIA headphones. This produce a 3rd frequency, through modulation of the previous two, which fall into the frequency range of the metabolic system, brainwaves and other inaudible sounds, it can in theory, also be used for gamma wave entrancement and other spectrums we do not typically operate within. There are experiments in syncing these waveforms up to light. Brainwave Generator, a popular program with a community of user generated resources, offers both light and sound in it’s program. CoolEdit Pro 2.0 features ways in which any audio can be processed into a brainwave tone automatically by adjusting each channels frequency to form a true binaural beat. The Advantage of utilizing binaural beats is the ability to control one’s specific frequency and fine-tune one’s altered state. This can be readily employed in self-designed magickal ritual for a number of purposes. We also reccomend looking into this list of cymatic frequencies, as brainwave entrancement is cymatics (the effects of sound on matter) with a specific target and aims of inducing altered states. These altered states can be very specific can but can also fufil the more general role of producing a trance state to be capitolized upon for the role of Gnosis in magickal operations. Creating trance states through lightwave technology has a good track record. The Woodard dreammachine seems to teach one to play with light in their eyes and is a classic example of such technology. Focusing on the foreground or background of the pattern produces different effects, closing one’s eyes can help capture a four dimensional horizon vortex of shifting lights. I’m reminded of Leary’s quotes about teaching your eyes to receive light in new ways as light is information programming your mind. Exploration of using this technology continues, including things like syncing them up through EEG measurment of brainwaves.

The Cutup and Non-linear Processing

William S. Burroughs concept of cutting up recorded material and the printed word is an exercise in creating magickal states of conciousness by distorting linear processing of information. In modern times, with the advent of simpler recording technology and a greater abundance of audio and text at out hands the Cut-up and non-linearity have both taken on new shades. Firstly, the internet is built around non-linear information through hypertext. Endless arrays of information cross reference one another forming a new stage of exponentially growing information to pull from. In addition to this technology has given us new ways to approach the cutup, text can be cutup via programs, and even rendered to semi-realistic speech thereafter with something akin to AT&T’s Voice generating technology. Audio is also now able to be cutup in a myriad of ways. Granular synthesis is a prime example of this. Other forms of pre-sampling in music allow one to buffer standard audio and perform cut-ups on it before the sound actually plays. This, of course, can be applied to any sound or text. In distorting standard modes of perception one allows themselves to better act as a channel for an altered state. In addition to this, the cut-up not only provides masked information, but also acts as a source of novel inspiration as well. New concepts can be derived from non-linear processing of pre-exsisting ideas and statements. It sounds less potent than it is and is worth experimenting with. Irr has a nice netbased cutup generator.


Sampling as a quantum interface

We are living in a world which is building a digital mirror. Countless events and moments in time relative to many people have now been digitally recorded in audio, video or even still image. This is a primal source for technomantic invocation. It also serves as a gateway to retroactive enchantment and capitolizing upon retroactive magick in the present. First, it is worth considering this recording of information from a magickal perspective. We are essentially taking segments of voice, sound, physical form, etc. and extracting a small portion of the sum total from whatever hologram is represented. Quantum Physics tells us that any one part of a hologram contains the entire structure within it. All things are holographic. A snippet of sound from a voice is a window into that person throughout non-linear time. Burroughs and later Genesis P. Orridge (of Throbbing Gristle/Psychic TV/TOPY) explored this concept and deemed it splinttering. In addition to splinter people via audio, get creative, you can do things like splinter pictures or video of sacred locations. Transparency effects have served the visual splinter well. Also, lastly, it is worth noting that the image/sound/video can be distorted and will still represent that which is being invoked into the art at hand via this method. In some cases it is worth considering that in cases of carefully approached post-processing, distortion of splinters can actually bring out the intent and latent magick in them, all the more than the event it’s self. With this form of magick we also approach open-source art and even open source selves. Austin Osman Spare was said to create a portal to himself and a love suspended in an unmanifest dimension away from times burden, this seems to be an early hint at the invocation of persons through art-technology.

Radionics Machines

The Radionics machine works through a theory of interfacing with specific targets through samples from non-local quanta entanglement, and then attempts to affect the target represented through the broadcasting of a waveform. Radionics/Psychotronics/Psionics operate through a principal represented in both Quantum Physics and Magick. In Magick it would be referred to as sympathetic magick or in Physics as Sympathetic Vibratory physics. It is sympathetic because the link to the target is a splinter of it’s entire hologram as previously mentioned. Typically one would think of things like blood samples, hair folicles, etc. as a basis for performing sympathetic magick or a similiar operation, however things such as photographs and recordings of a voice will function as well. At one point is was purposed one must use polaroids if a photo is be the symbol of the target as it has both the positive and negative spectrum in the photograph - this idea has since been abandoned. There is also the process of directed, non-local waveform interaction in play here as well. Once the target is represented, intent is broadcast to it through different bandwidths and planes based on the resonance which is output. One prime example of such a work may be something along the lines of broadcasting a sigil to a person, locale, or intangible idea represented as the target. Other possible methods of employing radionics include things like attempting to broadcast specific nutrients’ resonance to a person suffering from a deficency thereof, ‘channeling healing energy’, the application of cymatic theory at a distance and more. The definition of a radionics “Machine” is becoming more vague as well. Recently when Paul Laffoley attended Esozone, during his lecture he showed and discussed his designs for a diagram of a Hieronymous Box’s faceplate, he claims the painting it’s self acts as the circuitry to a radionics machine would. In other fields of endeavor Radionics has entered into the realm of digital software. It’s hard to imagine one’s computer playing the role of a radionics machine but I have put radionics software under the best scientific exmanation my chaotic mind alots, and I’ve found it works. We presented our Favorite Radionics Software previously in one of the early ‘Steal this Knowledge.” It has a manual included and worth getting aquainted with for the understanding of the software’s operation it provides. We also later provided software to accompany it, software which allows you to calculate radionic rates and auditory frequency for words, plants, metals, planetary placement in the galaxy, star system’s radiation, etc. These rates can be utilized cross program and some also allow for audio output.

Image to sound

The conversion of lightwaves to soundwaves is an act of digital, Cross-bandwidth alchemical transmutation. We’ve already discussed the hiding of intent in sound through splintering somewhat. We reviewed the programming of such intent through radionics shortly. Similiar means of intent have been suggested through chaos magick but often times utilizing a visual medium for the expression of intent. This is more apt to some people’s artistic inclinations as well. There are means of converting images to Radionic rates and their corresponding frequency, output as a sound. The 2nd radionics software pack contains this radionic image to sound program. There is also a method of representing an image in the distorted particles of sounds in a spectrogram. This would allow one to project, symbols, images, sigils, etc. in the form of carefully crafted white noise. Coagula-Light is a prime example of this type of conversion. There is also a VST which a features different type of technology for those musically inclined, It is 2warpdelay (documentation here) and it produces a cloudy delay with a resonance which emerges overtime and is based on the images input into it’s software.

Digital, Random Chaos

Those three words sound good together. Like a brew which yields an explosive cyberpunk apocalypse. I like that notion too, but even more so I like the notion of Digital, random chaos because it’s manifest in front of me in the here and now. Back in the day to achieve randomness in electronic technology one had to utilize an random waveform subject to all sorts of fluxes in voltage and stubborn as hell in it’s limited ability to program parameters. All this and you still had to integrate it into a working device as well. Now that we have digital technology we can program more specific random algorithms into all sorts of pre-exsisting programs. Completely random cutups of both audio and text can be achieved through this means. The triggering of random events in linear sequences is of great benefit also. These sorts of random implementations can provide a gateway into chaotic perception, where one has the advantage of non-linear processing of information, as mentioned earlier. It also allows several things to occur within the machine and the forces interacting with it. Firstly, the time-based function of generating the seed from microsecond measurements and algebraic algorithms allows for interfacing with elements of divine synchronicity as manifest within the current of each moment. This allows room for synchronistics elements manifest within the structure of chaos to express themselves in this form. This is also an argument for sentience in current technology; choices are being made and freewill demonstrated, within a limited capacity, by the machine at hand. There is also then the variable of enviorment and other suttle non-local interference effecting the outcome. This begs questions like does a random waveform behave differently in a ritualized magickal enviorment, or can a person effect a random number generator’s trends. Studies indicate they can. Personal experience tells me building a personal relationship with a device allows one to meditate in harmony with the machine, if you will. I tend to believe this points in the direction of non-local quanta interfacing between man and machine through the manipulation of randomized algorithms. A modulation of biological auras and a machine’s EMF to produce results within the random parameters and triggers allowed within the design of the algorithm.

EEG and the future of mind/machine interfaces

Currently we have direct digital interfaces which input to softwares at our disposal. There are different methods of achieving this. Brainwaves, electrical skin resonance and other biologically generated waveforms can be input into software through EEG interfaces. Some are more versatile than others, they are designed for different purposes, software can be programmed for them. The software and analysis used for generating a response is key in building the structural enviorment which forms the means of interaction between the software and user. Of course, hardware interface is still needed, IBVA has been around since ‘72 and has versatile software built for it. It takes measurement on brainwave activity and mirrors these measurments in software. Such technology could be utilized in place of or in conjunction with random algorithms as triggers. There are many more on the market and others may be better suited to specific purposes. IBVA and similiar systems mark a point at which the barriers between self and machine dissolve. This is only a step away from the illusion between self and the network the machines are attached fading from perception as well. Digital Egoloss in the nueral network. It’s also worth noting that almost any hardware is cross compatable with enough software and adapters. For instance, IBVA outputs to MIDI (Musical Instrument Digital Interface) so if you wanted to do something like control you atari 2600 VIA IBVA and your brainwaves it would simply require a computer outputting the brainwave data as MIDI to an Atari controller to Midi Adapter. You could play sound on a program that would accept the MIDI data or write a game around it if you so choose. Point is anything is achievable with the right hardware and software. Of course you can set your sites for a project much higher, something like interactive two-person brainwave “battling” utilizing electrical feedback emulating the analyzed frequencies may be a noteworthy endeavour and a first step in the direction of swapping selves digitally through brainwave analysis and waveforms. For your Listening pleasure we reccomend UK based artist Luciana Hall’s project Psi-Chic which utilizes IBVA tech for musical triggering purposes.


Nanotech and the coming Digital Yesod in Malkuth

Nanotech is not just the ability to manipulate subatomic particles or the true realization of physical alchemy. It is a means through which the unmanifest will be given form in the material plane, the unseen becoming seen and the reality will appear more subjective and mallable because of it. This yields a dream-like world of Yesod leaking over into the day to day Malkuth oriented experience. When particle-LCD screens in hi rez are printed to paper with morphing images, when intoxicants are too small to be seen and whole regions dosed with self replicating subatomic L-25 and all goes unseen, when you can stay underwater with oxygen forming particles in your lungs, when nanobots perform guerrilla marketing researcg on people by exploring their internal workings - These are sign reality is beyond control and by no means bound to a single objective perception. When the think tanks for these products coordinate with groups that have these working technologies and are matched to buyers, anyone able to afford it will have the luxury of birthing new subatomic reality dreams into our exsistence. What then? Should we not attempt to control or atleast grasp this technology before it comes under the exclusive ownership of fascistic elements, DAARPA scum, NSA tools, etc…The Military Industrial complex does not have a good track record of using things beyond the scope of weaponry but perpetually insist upon control of technology, it’s where the internet came from and anything else you own in the electronics dept. have has passed through their hands, it’s old tech to them. Is that the fate of such a powerful technology for catalyzing change in the enviorment such as nanotech?

Life extension tech, removable media conciousness and the multi-self, interfaces for the cyberspace nueral network

When life extension technologies arrive, if they are in fact available to the general public it would be a worthy avenue of exploration for any indivual leading a productive life. Their work could continue and yield greater fruits for the collective as a result. It seems worth the biological sacrifice involved in the pondering of the situations yet if we do not neglect biological sciences we may have greater chance at less loss of humanity in integration with technology. The prospect of having a robotic leg or needing an invasive digital circuit interface into the nervous system to access the nueral network isn’t lucrative. If such a network could be created with non-invasive waveform or biological technology this would be most apt. Currently the horizon of Biological nanotech looks promising, there is microscopic bacteria which will hold information when charged with the correct electrical frequencies, this bacteria can hold immense amounts of information as well. One DVD sized disc of it could hold 100 terrabytes of data. It can also be used to build nano-wires. If such a synthesis of biology and engineering could be designed to interface with the human mind it would be the realization of Kurweil’s vision of the singularity. It would be a form of life extension in it’s self. If nothing else conciousness could be uploaded into a digital construct, or possibly even a new physical body. Soul/Mind transference to an untattered physical vessel. If it could interface with the mind in both reception and output, in theory, you may be able to construct a biological nanotech interface from a cyberspace enviorment directly into the nervous system. This would of course be the evolution of both VR and current EEG machine technology working together in perfected synthesis. VR is concerned with the construction of the digital enviorment and our best bet for unlucking the mysteries need to store conciousness on removable media most likely will be unraveled through an understanding of the sufsicated brainwaves relation to electrical nervous system impulses. So it’s also worth considering what can be done with this tech as well. Let’s focus mostly on what can be done with back-ups of your conciousness. Imagine, if you will, being able to trade selves with people, and if your capacity could be expanded to hold multiple databanks of conciousness you could navigate or turn on and off. Sharing of experience, digital marriage of the minds, rectifications of duality. Black markets of badly copied saught after conciousness ready to be downloaded. Expansion of the self beyond current terms. We would be re-defined as the navigator of the program of conciousness, no longer the container thereof.

Omnipotence through waveforms & wet-tech

Once conciousness exsist duplicated in a machine it is placed in a network, a network of minds interacting non-locally, a network which can be traversed. Given current trends it’s likely to be wireless and broadcast over waveforms. HAARP already uses the entire ionsphere as an amplifier, thus making it global. We already exsist in a horrible array of Cell phone radiation. It pisses me off. I’m a passive taoist but I’m balanced enough to be angry. Cellphone technology is dangerous , largely untested in long term exposure to it’s frequency bandwidth and your meaningless conversation, texting, pitiful gaming, etc. is not on the same scale as building a non-local interface of minds. The same sorta Low Frequency employed in HAARP tech. could be utilized for hooking up the nueral network. The implications of having this global waveform of non-local conciousness interacting is brillant. It’s an upgrade to reality and the self in the truest sense. One can gather information at light speed, exsist in a remote waveform carrier elsewardly, or network with people from countless regions exchanging highly compressed packets of light-based nervous system information. What about the ability to be in more place than one simultaenously, watching different locales like observing multiple windows at once. What if we cloned and mapped the material plane there and had it represented real-time? Could changing something in the digital planes construct possibly then influence the shape it would take in the waveforms comprising it’s material double?

Esoteric Programs of interest:
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Random Name Generator - Great for naming servitors, magickal weapons, etc.

Numerology Calculator - Works in the Pythagorean & Chaldean systems of english gemtaria

Qabbalistic Numerology Calculator - Claims to convert english to hebrew and provide Qabbalistic Gematria for english words

Numerology Healing Tones - Reminds me of a Sigils in Sound Technique where letters are assigned tones and words spelled in sound

Back to Basics9 - Another tool which could be employed in the production of Sigils in sound by assigning letters on a keyboard to indivual sounds then spelling one’s phrase, mantra, or statement of intent

Astroclock - Real-time astrological analysis

ProTarot Reader - Employs Randomness to work with the Tarot Digitally

Tali’s I-Ching - Same as above only w/ I-ching

MagicCalc - Thelemic Date & Planetary Hour Calculator/Calendar

Talisman Maker - For the Lulz, Freeware to make basic talisman graphics

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Notions, Concepts, Tidbits, phrases, and other excess (in no particular order)

Sealing Qlippothic Portals

The Soundscape of the Tao

Transmuting the physical form to energy

Non-Linear Time viewed as a single still frame

Overcoming the Chip/TV bodies in the human aura

The Subterranean Martian Reality Reprogramming Device

Earth as a canvas for our geomantic craftsmanship

Isis manifest in physical form

Radionicly controlling our planet’s ionosphere

Finding the sound of the first cause by modulating all exsisting sounds into a singular moment of qunatum infinity

Rewriting the Bulk Data of the formative plane

continue reading…

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