Phase III – Stealth Is.

It’s been a long, long time coming and while it’s not yet here we finally have some firm news on Alejandro Jodorowsky’s long rumored King Shot.  Despite having Marilyn Manson and Nick Nolte on board to star – and both of them putting up some of their own money for the production – the film remained stalled for several years until David Lynch’s Absurda came on board as a production outfit – they’re also doing a film with Werner Herzog – a little while back.  And now?  Cinematographer Vilmos Zsigmond appeared on Chicago’s WGN Radio recently to promote an unrelated project and spilled to a caller that he expects to be shooting King Shot from May to July of this year.  So take heart, cult film fans, the cultiest of them all is coming back.

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There over 800 prison camps in the United States, all fully operational and ready to receive prisoners. They are all staffed and even surrounded by full-time guards, but they are all empty. These camps are to be operated by FEMA (Federal Emergency Management Agency) should Martial Law need to be implemented in the United States and all it would take is a presidential signature on a proclamation and the attorney general’s signature on a warrant to which a list of names is attached. Ask yourself if you really want to be on Ashcroft’s list.

The Rex 84 Program was established on the reasoning that if a “mass exodus” of illegal aliens crossed the Mexican/US border, they would be quickly rounded up and detained in detention centers by FEMA. Rex 84 allowed many military bases to be closed down and to be turned into prisons.

State-by-State list below.
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I’ve never encountered an artist whose work paralelled mine in both utilization of circuit bentding (for video in this purpose) whilst attempting to evoke Qabbalistic perceptions through art – impressive stuff, examples are listed at the bottom of the article – Taken from Greylodge.org:

Currently based out of Chicago, Raymond Salvatore Harmon is a multimedia artist and filmmaker whose work spans the past century of technological cul de sacs. With a filmography extending from performance based 16mm and 8mm film to video circuit-bending and analog feedback installations as well as sound and visual conceptual installations and guerilla media actions. Born in Jackson, Michigan in 1974 to a middle class background Raymond Salvatore Harmon has lived widely throughout the US (New York – NY, Savannah – GA, Ann Arbor, Louisville – KY, Eugene – OR, among many other locations).

Over the course of the past ten years Harmon has been developing and evolving the theoretical and practical applications of non object orient art. Utilizing new media, web based content and interactive architectures in coordination with public performance, graffiti style ad bombing, and web social engineering propaganda Harmon’s work has carved out an over arching form of new media insurgency.

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