Phase III – Stealth Is.

I have some questions about the recent graphic you’ve released in conjunction with your pitiful pool of disinfo entitled “Spirit World 2″ (or what the fuck ever) – this image, btw:

Fail

A)Why is Da’ath depicted above Chockmah and Binah? Who authorized you to change the structure of the Qabbalah? I believe you need Class 5 Etheric-Engineering License for that and you have not provided proper documentation. We’ve inquired with Control, they state you do not have these credentials.
B)Why the fuck is your Yesod depicted as black and red? These colors are not associated with Yesod in any of the four color scales. Same Texture map on spherical Mesh for Netzach also? Wrong colors still.
C)What the fuck does John Dee have to do with Netzach? Sure you didn’t mean to put him next to the philosophically inclined Hod on the horizontally opposite side of the Qabbalah? Mirrors are traps in your pursuit of knowledge, bro. Get yo’ shit straight.
D)While we’re on that note – Crowley = Geburah? Please explain.
E)BTW, don’t you evoke Demons and invoke godforms/angels/etc? See the concept behind it is that the Cthonic/Qlippothic worlds are submalkuthian and hence semi-internal and called forth from the hollow corridors of the self, while supernal archetypal notions exist on planes above us and hence must be called down. Your flyer is erroneous again. Also, is that even a properly formed sentence that contains that claim? If you can’t write a promotional flyer right why should we expect you to deliver multiple hours of accurate info?
F)Per your previous film – “Illuminati II” I believe -  can you site some additional references to your claim that Cameron Majorie had a Moonchilde that was radiated during the first atomic bomb test in giant concrete cylinder?

I’ve watched all your films (I pirated them BTW, lol, you greedy bastard) I’m convinced you’re nothing more than a misinformed profiteer spreading disinfo whether purposefully or not. If you’re not truly undertaking a magickal study you’d do well to follow the route of Harpocrates and succumb to silence. 81.

I will be making this letter publicly avbl. Please respond with a proper defense.

Thanks,
Ikipr

P.S. Your documentary workshop cost $2000? I found this endlessly lulzful.

P.P.S. Your Spam Filter on your site is a bitch, it won’t let messages through for reasons like “entitled” contains the word “tit” and I have “WTF” in my e-mail – seriously, I wonder “What the fuck?” at your less-than-half-informed view of the puzzle alot of the time. Upgrade your filter and thin out your blacklist of words man.
________________________________________
Man, I hope he e-mails us back :)

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Yiri AKA Shintaro is the Artist for Foolish People. Mayhaps you remember his Madman Mr. Shine painting hanging above you during FP’s performance at Esozone, like an Altar to a future self-made corporate art-cloning god? He’s probably more integral a part of FP than they even realize, he was bestowed an honorary 7th degree in the real OTO (not Califake) and his paintings seem to resemble a modern chaotic reinterpretation of artistic traditions within Western Occult art revolving around people like Rosaleen Norton, Austin Osmann Spare, and Cameron Majorie – but mehh… enough mencing words – check his other artwork and his only English collection of Libers (He has two other books in print but in Dutch as well):

Fluxus Bucks (I wish I could Spend money like this)

Paintings

Action Figures/Sculptures

Fake Comic for Dutch Movie

Agartthean Libers

Ian of Mouth of Infinity worked tirelessly throughout Esozone running CG video art he had made, projecting other peoples art on cue, and helping with general tech issuses. Not only did he do all this but he was also featured on the chemgnostic panel. He proved himself as a true technomancer to me as I watched him not only figure out the antiquated slide projector Laffoley needed, but also change it’s light bulb in the dark whilst it sat on the tip of the ledge of the 2nd floor @ Someday Lounge. Paul Laffoley had his doubts about the troubleshooting solution of the Light bulb being burnt out that Ian had come to and I must admit I had my doubts too but found myself pleasantly suprised to find that was the issuse in place. Ian produces video as Mouth of Infinity which capitolizes upon synchronicity and magickal intent embedded in animate hypersigils to convey well-thought out esoteric metaphor, but it’s best to let art speak for it’s self:

Check More Mouth of Infinity out


Nemo represents a continuation of the visionary artist into modern times. This form of art is now surpassing the Alex Grey Cliche’ of being trapped in introspective microcosmic analysis and archetypal representations of ego-centrically personified visions of cosmic structures into devices truely capable of communicating macrocosmic information. Mayhaps this is a sign of culture’s evolution through Leary’s notion of Intelligence^2 reflected in the growing psychedelic mind. At Esozone Nemo showed with his beautiful art for the cover of Taylor Elwood’s Inner Alchemy – to behold it in person is to appreciate it’s true splendor. During the Ritual throwdown he did ambidextrous painting – quite a talent/skill to witness. At Nemo.org he sells prints of and digitally displays art by many similiar vision questers bringing back jewels of conciousness into art.

Diabolus Rex‘s art is usually compared to Giger – We will not stoop to this played out comparasion. If Zdzislaw Beksinski and Chet Zar mind-fucked and produced an aborted child whom felt like it needed to evoke daemons into the material through art, it may end up with a similiar product to what Rex paints. In addition to this he is a practioner of Black Radionics as an artform and means of magick. He is synthesizing notions of Reich, Rife, and other early pioneers of experimental scienetific electronics as a means to interface on a non-local level with reality’s basic constructs and overwrite it with force – sometimes reality is stubborn and you have to kick it’s ass in order to get it to change. He is pictured above with one of his Radionic Devices. We have a forthcoming interview with him and will hopefully be granted the privilege of covering his Ragnarok Device which he plans to utilize to evoke daemons into the material plane through orgnite material in a mold adorned with sigils and an RF feed running through it as a projecting current. His art was featured on the cover of Lucifer rising and he also enjoys use of the Lovecraftian pantheon as a side note.

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