Borderland Sciences Research Foundation - The Lakhovsky Multiple Wave Oscillator from Borderland Sciences on Vimeo.
Borderland Sciences Research Foundation - Preston Nichols’ Spacetime Laboratories - Part 1 from Borderland Sciences on Vimeo.
Borderland Sciences Research Foundation - Preston Nichols’ Spacetime Laboratories - Part 2 from Borderland Sciences on Vimeo.
Borderland Sciences Research Foundation - Preston Nichols’ Spacetime Laboratories - Part 3 from Borderland Sciences on Vimeo.
Borderlands research visits the home & labs of Preston Nichols, Radio Engineer and Montauk kook supreme to check out his labs and equipment.
Ray Kurzweil speaks at the BCI X-prize conference on the singularity and challenges facing neural computer interfaces. The X-Prize for BCI is hoping to be set to offer $10 million+ to technology which enables the sight of the blind. Read more at H+ Magazine
Modern wetware is a less disappointing field to look at all the time.
It is equally clear that we can never discount anything, no matter how ridiculous the theory or weird the theorist. It is as important to present alternative theories, to challenge them, as it is any conventional theory, because sometimes, just sometimes, the kooks have it right, and the world had it wrong all along.
…
Snap on your ether goggles, adjust your psychotronic tuning, drink that magnetic water, crank the rheostats radionic, pull the lever, flick the switches, prepare to oscillate, and RED, GREEN, BLUE . . .
EYES OPEN: WE’RE GOING IN!
Green was his raiment, green his monstrous mare.
He rode unarmed, uncorsleted, unshielded,
Except that in his huge right hand he wielded
A frightful battle-axe, with blade as green
As coppery rust;—but the long edge shone keen.
A Happy Solstice and Merry Christmas to you and yours! Join now round as we gather together for drink and merriment, being certain to adjust your awareness to the proper frequencies that you might hear the yearly story of the Axe Game, as recounted by the ever-obliging Chuck Logos.
WTF? Is it a panopticon or a backup of reality?
Where does the funding for evil like this come from in a world that’s supposedly going broke?
Let’s pray that it does, it could be humanity’s last hope to save us from ourselves:
HEAR! the tragic ways to death on the high and low roads of Infictive County;
DISCOVER! the puissance of what can only be called It;
WITNESS! the astonishing resurrection of Charles “Brainbeard” Logos;
UNCOVER! the secret wisdom and terrible power of the undead!
Ep4: “Boy, you’ll be damned to Hell!”
A Halloween 2009 mix-tape from the Infictive crew to all you creeps out there. Walk free ’til dead… and then maybe a little more.
Duncan Laurie: The Secret Art from DANGEROUS MINDS on Vimeo.
Duncan Laurie, author of The Secret Art, is one of the world’s foremost experts on the “forbidden science” of radionics. Some of you may recall Duncan from the Disinformation TV show. He’s the genteel mad scientist/artist from Jamestown, Rhode Island who looks like Harrison Ford and who works in laboratory housed in a glass building. In 2000 I recorded an interview with Duncan where he demonstrated the subtle energy exchange between plants and his mind-blowing collection of radionics devices. Continued @ Dangerous Minds
Much clearer and more direct information on Albert Abraham’s work is avbl. through our friends at Borderlands.
In anticipation of the upcoming performance of The Abattoir Pages, Joseph Matheny in conversation with John Harrigan about anything and everything that comes to their mind.
Listen here and check out Apocryphon.org for Foolish People’s upcoming performance.
September 28, 2009 was “Mystery X Day” in Infictive County, a date marked by much celebration of all kind. To them that missed that happy day, fear not: we give you now a synthesis of encoded songs and words that you might listen close, and so hear the inner wisdom that is the Mystery X!
Joy, joy, and more joy still!
More @ Be Merry for Tomorrow
From a Journal of Borderland Research, 1961
THE WORK OF DR RUTH DROWN
An Outline on a Thumbnail
by Trevor James Constable
“The key to understanding the work and instruments of Dr Ruth Drown lies in a firm grasp of the two fundamental energy manifestations connected with the human body. These are, first, the electrostatic energy of the physical-mineral tissues, and second, the vital energy which passes into and through those tissues enabling them to hold their form. Electrostatic energy remains with the physical body after death. It is the departure of vital energy from the physical body that constitutes death.”
“In the past it has been argued endlessly as to whether or not living substances, or physical-mineral substances give off an emanation. Since the fact that they do is vital to a grasp of Drown therapy and how it works, the point has been dwelt upon in detail. Everything has an emanation, and the etheric double is a scientific fact.
The origin of the emanations is the next point to deal with, since this too impinges directly upon an understanding of the Drown instruments. There can be no doubt that these emanations derive from the molecular activity going on continuously in everything having physical form. The molecule is the unit of mass form. The different arrangements of molecules produce different substances. The molecular arrangement that produces steel is different to that producing lead, and the molecular arrangement producing lung tissue is different to that producing liver tissue.
Any physicist will tell you that the molecules are whirling particles of electricity. These whirlings never cease. It is this activity of these particles that produces the radiance we can see all around all substances in the manner described above. Except in terms of the amount of radiance observed, the eye does not perceive any essential difference between emanations.”
“The Drown Instrument is analogous to any other instrument used for the reception and detection of a broadcast. It must have an antenna. In fact, the whole Drown Instrument is nothing but a tunable antenna, so simple in layout that electronics experts have been deceived into thinking that it is nothing but a straight wire, electrically speaking.
The Drown Instrument consists of nine dials, each of which is made up of ten small brass studs. Each dial therefore has ten positions that may be selected by the operator, just like any other radio dial.”
“The arrangement of nine dials with then studs each permits combinations of these tiny impedances going into billions. The sensitivity of the instrument is absolutely remarkable, when we consider that with it we may pick up from the human body, with its jumble of molecular broadcasts, those of each individual organ and gland.
To establish a “rate” for a substance, i.e., to express it as a number, in terms of dial readings, that substance is placed on the foot plates of the instrument. The footplates are actually the end of the antenna. The operator then begins to stroke the detecting pad which is connected between the instrument and ground. The dials, beginning with the first of “disease” dial (impingement of function produces the base rate of vibration or disease vibration) are slowly rotated as the detector pad moves these minute molecular broadcasts through the instrument when the arrangement of the dials is such that resonance exits between the instrument and the sample being examined.”
