Yiri AKA Shintaro is the Artist for Foolish People. Mayhaps you remember his Madman Mr. Shine painting hanging above you during FP’s performance at Esozone, like an Altar to a future self-made corporate art-cloning god? He’s probably more integral a part of FP than they even realize, he was bestowed an honorary 7th degree in the real OTO (not Califake) and his paintings seem to resemble a modern chaotic reinterpretation of artistic traditions within Western Occult art revolving around people like Rosaleen Norton, Austin Osmann Spare, and Cameron Majorie – but mehh… enough mencing words – check his other artwork and his only English collection of Libers (He has two other books in print but in Dutch as well):
Fluxus Bucks (I wish I could Spend money like this)
Ian of Mouth of Infinity worked tirelessly throughout Esozone running CG video art he had made, projecting other peoples art on cue, and helping with general tech issuses. Not only did he do all this but he was also featured on the chemgnostic panel. He proved himself as a true technomancer to me as I watched him not only figure out the antiquated slide projector Laffoley needed, but also change it’s light bulb in the dark whilst it sat on the tip of the ledge of the 2nd floor @ Someday Lounge. Paul Laffoley had his doubts about the troubleshooting solution of the Light bulb being burnt out that Ian had come to and I must admit I had my doubts too but found myself pleasantly suprised to find that was the issuse in place. Ian produces video as Mouth of Infinity which capitolizes upon synchronicity and magickal intent embedded in animate hypersigils to convey well-thought out esoteric metaphor, but it’s best to let art speak for it’s self:
Check More Mouth of Infinity out
Nemo represents a continuation of the visionary artist into modern times. This form of art is now surpassing the Alex Grey Cliche’ of being trapped in introspective microcosmic analysis and archetypal representations of ego-centrically personified visions of cosmic structures into devices truely capable of communicating macrocosmic information. Mayhaps this is a sign of culture’s evolution through Leary’s notion of Intelligence^2 reflected in the growing psychedelic mind. At Esozone Nemo showed with his beautiful art for the cover of Taylor Elwood’s Inner Alchemy – to behold it in person is to appreciate it’s true splendor. During the Ritual throwdown he did ambidextrous painting – quite a talent/skill to witness. At Nemo.org he sells prints of and digitally displays art by many similiar vision questers bringing back jewels of conciousness into art.
Diabolus Rex‘s art is usually compared to Giger – We will not stoop to this played out comparasion. If Zdzislaw Beksinski and Chet Zar mind-fucked and produced an aborted child whom felt like it needed to evoke daemons into the material through art, it may end up with a similiar product to what Rex paints. In addition to this he is a practioner of Black Radionics as an artform and means of magick. He is synthesizing notions of Reich, Rife, and other early pioneers of experimental scienetific electronics as a means to interface on a non-local level with reality’s basic constructs and overwrite it with force – sometimes reality is stubborn and you have to kick it’s ass in order to get it to change. He is pictured above with one of his Radionic Devices. We have a forthcoming interview with him and will hopefully be granted the privilege of covering his Ragnarok Device which he plans to utilize to evoke daemons into the material plane through orgnite material in a mold adorned with sigils and an RF feed running through it as a projecting current. His art was featured on the cover of Lucifer rising and he also enjoys use of the Lovecraftian pantheon as a side note.
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